
Contemporary Mixed-Media Multi-Layered Relief Construction, Attributed to Frank Gallo or Similar Studio
This is a large-scale contemporary mixed-media work of art, likely featuring cast paper, resin, or fiber elements within a tiered, relief-style composition. The artwork is characterized by its complex architectural and geometric vocabulary, featuring a central semicircular dome shape that houses various abstract forms including arches, grid lines, and textured organic masses. A striking shock of cobalt blue pigment is positioned left of center, serving as a focal point against a predominantly monochromatic palette of grays, whites, and blacks. The work utilizes a sophisticated layering technique, possibly including 'cast paper' or 'pulp painting' methods popular in the late 20th century (circa 1980s-1990s). The construction displays fine technical skill with its precise mathematical linework juxtaposed against raw, rock-like textures. It is housed in an oversized mitered frame with a faux-marble or granite-finished moulding that complements the industrial, Brutalist-inspired aesthetic of the piece. The glazed surface shows significant reflections of the surrounding environment, but the internal condition of the relief elements appears stable with no visible signs of crumbling or moisture damage. The overall craftsmanship suggests a high-end gallery-quality production from a professional artist studio.
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Estimated Value
$1,500 - $2,500
Basic Information
Category
Fine Art - Contemporary Mixed Media
Appraised On
December 19, 2025
Estimated Value
$1,500 - $2,500
Item Description
This is a large-scale contemporary mixed-media work of art, likely featuring cast paper, resin, or fiber elements within a tiered, relief-style composition. The artwork is characterized by its complex architectural and geometric vocabulary, featuring a central semicircular dome shape that houses various abstract forms including arches, grid lines, and textured organic masses. A striking shock of cobalt blue pigment is positioned left of center, serving as a focal point against a predominantly monochromatic palette of grays, whites, and blacks. The work utilizes a sophisticated layering technique, possibly including 'cast paper' or 'pulp painting' methods popular in the late 20th century (circa 1980s-1990s). The construction displays fine technical skill with its precise mathematical linework juxtaposed against raw, rock-like textures. It is housed in an oversized mitered frame with a faux-marble or granite-finished moulding that complements the industrial, Brutalist-inspired aesthetic of the piece. The glazed surface shows significant reflections of the surrounding environment, but the internal condition of the relief elements appears stable with no visible signs of crumbling or moisture damage. The overall craftsmanship suggests a high-end gallery-quality production from a professional artist studio.
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